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日蚀的日子7.1

类型:剧情片  苏联   1988

主演:弗拉基米尔·扎曼斯基 Aleksei Ananishnov Eskender Umarov Irina Sokolova Kirill Dudkin Aleksey Yankovskiy Viktor Belovolskiy

导演:亚历山大·索科洛夫

剧情简介

  《日蚀的日子》是1988年的一部剧情片。由亚历山大·索科洛夫执导,弗拉基米尔·扎曼斯基、Aleksei Ananishnov、Eskender Umarov等联袂主演。日蚀的日子,又名Дни затмения、日蚀之期。The film Days of Eclipse is based on a novel by famous Soviet science fiction writers — brothers Arcady and Boris Strugatsky. The action has been transferred to the Central Asia where a young Russian doctor gives treatment to children and tries his hand at writing. Introducing us a young contemporary at the crossroads (for the first time in Sokurov's work), this film becomes the first part of a cinema trilogy. This character, whose formative years pass in the situation of broken and showing its cracks way of life, becomes a link between three of Sokurov's films. The whole 'trilogy' is joined together by the bitter irony regarding worn–out sacral symbols. Films Days of Eclipse, The Second Circle, The Stone, made in different years, are linked up with each other by one common plot: permanent co–existence of real everyday life, of so to say daily routine, with messages or messengers from Nowhere. The young athlete from Days of Eclipse played by young non–professional performer Alexei Ananishnov is no less an archaic symbol of the former power of the collapsed Soviet empire than a recording of Brezhnev's speech sounding in the film or huge plaster cast Hammer and Sickle sticking out in the desert. Dmitry Malyanov from Strugatsky's novel A Milliard Years before the End of the World has nothing in common with the character of Days of Eclipse beside the name. In fact, for Sokurov's hero the end of the world has already come and the border of this end has fallen on his life. The character who has been brought to the world of alien climate, alien speech, alien customs, learns not to be surprised at the cases of violence against others and himself — in order to survive, speaks to a dead body, tames and feeds exotic reptiles, and, on top of that, meets an angel appearing as a child. This film was successful with the cinema audience of Perestroika years. Alexei Ananishnov later played the main part in one more film by Sokurov Mother and Son. The film has been listed by the European Cinema Academy among 100 best movies of the XX century. Alexandra Tuchinskaya English translation by Anna Shoulgat, 2002. Prizes and awards: 1988. Special Award Felix of the European Cinema Academy to the composer Y. Khanin. 1988. NIKA Award of the Filmmakers' Union of the USSR to the Director of Sound V. Persov as Best Director of Sound. 1989. Laureate of the competition for Best Russian film of the year. Award of the Filmmakers' Union of the USSR to S. Yurizditsky as Best Director of Photography.

综合评分:
  DVD电影网评分7.1,算是一部中等偏上的电影作品,值得收藏看,推荐大家观看。

影迷点评:
  源 说:改编自斯特鲁伽茨基兄弟小說《人类终结前十亿年》 。取景苏联边境小城克拉斯诺沃德斯克,荒凉的中亚地带,也是索科洛夫曾生活过的地方。影片有大量时间都在记录式地表现这里的城市和人们,要么在街上漫无目的地走着、要么蹲在残垣断壁前看风景、吃东西,没有任何生活和价值观。 影片画面在褐色与原彩间不停跳跃,是致敬塔可夫斯基《潜行者》吗?开头是航拍的村庄全景,快速移动的俯瞰镜头却直栽进土地。而主角房间总是不断地出现蜥蜴、蟒蛇等爬行动物,就像人类的想象本质有着生物学的基础。 而最为关键的想象是空间,它是历史时间的结构,叙述给地方营造出一种飘忽的、易碎的效果,所有鲜明的轮廓都消失了,风也止了,宁静如轻雾般升起、四处弥漫。山丘上是巨大的五角星和镰刀雕塑却不知四年後苏联会突然解体。就像主角回望村庄,只剩一片废墟。
  火娃 说:6/10。开篇从巨大的土地鸟瞰人类居住环境,摄影机最终推进领导人铜像和民族团体混杂的边远地区,东正教堂和收音机传出天主教弥撒,X光照不出男童吞食金属针,盯着主角夹草面包的蜥蜴和爬入屋子的蟒蛇,医生对话死者和目睹天使,赫尔佐格式的纪录手法和自然意象表现小城如蜃景般的消散来预言世界末日。
  蘇小北 说:滿是塵沙的荒原,不知名的造訪者,荷搶的士兵,書寫的禁忌,日蝕的陰影,蜷縮的男孩,同性朋友的出離,村落的消失。這部電影充滿了謎一樣令人惶惑的色彩和情緒,凹陷的鏡頭感,發黃做舊的黑白畫面以及沉悶的敘事節奏都營構出末日的幻滅感,而對於政治體制和歷史意識的隱喻與暗示也是相當明顯的。

精彩剧照:

日蚀的日子 剧照1日蚀的日子 剧照2日蚀的日子 剧照3

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