A / 明明是在确定的现实问题下展开的故事,但全片却找不到一丝解决问题的僵硬意图痕迹。不同人物就在若即若离的尺度中靠近走远,维系着低度的“关系”在场,又悬置着蓄积着仿若透明的情感潜流。如果说中段“画家”视角对纽约城市景观的分解是一种《弗兰琪》式迷宫的反向构建,那么结尾沉默的楼梯间与余晖涂抹的绿墙便再一次在静与动的混沌中找到了难以言明的出口——世界/爱在匀速叙事延宕的时刻宛然浮现。
「Life has its obstacles, but I've learned early on that they will always be lessened if faced with honesty. I believe the world is a better place if people aren't lying. Love does not delight in injustice, but rejoices with the truth.」
寒枝雀静
2020-04-28 13:25:39