《女朋友》影迷点评

being left恐怕是单身人士或独身主义者最大的恐惧。《弗兰西丝·哈》从这部片子里借鉴模仿了不止一两点。

马克思推荐。这回知道弗朗西斯哈是从哪儿来的了

Criterion Channel - 与Frances Ha的Double Feature

Weill portrays a single, green girl's helpless loneliness in a big city (it's always NYC) with such authenticity and delicacy; Susan's not selfish but only scared, of being WITH someone and making up her own calls. And that's not only the struggle of being single but also being a single woman during the 1970s after the 2nd-wave feminism movement. Yet it remains pertinent now more than ever: How hard is it to be in the counterculture when mainstream prevails? How would marriage do to friendships? What's it like to maintain the female perspective? Frances Ha's answer pales like a superficial YA novel in front of this one.

Can relate. 尤其是对自己住的坚持，以及在公寓里一瞬间大叫的冲动。

不到四星。最出彩的是和rabbi来电那一段，两个人演的都好；小姑娘对自己性魅力的自信却还不够自在，老伙计像个小伙子似的充二货，只为博佳人一笑，最后分别的时候老头子是知道他俩没未来的，但他还是忍不住给她希望（男人...）。21世纪的弗朗西斯虽然更加存在主义，但跟这片的精神内核几乎一毛一样啊（把所有人物关系基本都反过来了）屋里的真好看

【良い】 先入为主看的《弗兰西丝•哈》，虽然更喜欢那本，但也不能否认这本的重要性。

题材和拍摄手法上很接近欧洲的新浪潮了，让人想到侯麦的Comedies and Proverbs，举重若轻的用对话和主人公的不同选择刻画了一个有些稚嫩的女性的友谊、爱情和事业。在Frances Ha中能看到许多本片的影子，30年前就探讨了友谊与婚姻能不能同时存在的问题。

- do you think i'm selfish? - no, scared.

可爱的电影，70年代的纽约独立女性群像。女主很棒，不妥协，拎得清，但也不是像刀子一样硬扎，而是如一块面包那般去拥抱生活，所以最后男朋友送了她一只鸭子呀。

[Criterion Channel] Such a gem 看了二十分钟，心想哇这剧情也太Frances Ha了吧。结果上letterboxd一看，所有人:“Frances Ha???”

Kubrick in 1980: “I think one of the most interesting American films that I’ve seen in a long time is Claudia Weill’s Girlfriends. That film, I thought, was one of the very rare American films that I would compare with the serious, intelligent, sensitive writing and filmmaking that you find in the best directors in Europe."